![]() ![]() ![]() Along the way, there are flying, fire-breathing, oversized hippos, sentient, scaled, magical narwhals, engineers who craft “silkmotic” machines worthy of Heron of Alexandria and Zhuge Liang, a “war” between restaurants fit for reality TV, a hundred and one different ways to write and make books, and more discussions about taxes and litigation than you’ll find even in Dickens. This series began as a fantasy reimagining of the legends around the rise of the Han Dynasty using the pacing and structure of the Iliad, and then morphed into a fantasy history of how to (re)build a constitution for a modern, post-colonial nation-state in the face of internal strife and external threats. ![]() I've spent the last decade of my life working on one piece of fiction: the silkpunk epic fantasy series, The Dandelion Dynasty (published in the US by Saga Press of Simon & Schuster and in the UK by Head of Zeus). ![]()
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